Sunday, January 13, 2013

Reading by Candlelight at 4:30 in the Morning


A severe thunderstorm knocked out our electricity around four this morning, and sent my girls scurrying to our room in fright. Todd stayed fast asleep, but since there's not room in our bed for all five of us anymore, and they weren't going back to bed with the terrible rumble going on, we four girls headed into the living room, lit some candles and sat reading or coloring. I happily re-entered Elizabeth Gaskell's North and South to read more of John Thornton and Margaret Hale's Milton world. Olivia was reading Roald Dahl's Matilda (which she's really enjoying and feels compelled to read me the funny bits) and Karina started out with a Nancy Drew book, but soon joined Susanna on the floor for some coloring. Thankfully it was not a cold morning. The power stayed out until 7:30 a.m. but we didn't hear it come on, because by that time we were all napping. (Todd apparently woke up when it came on.)

I'm loving North and South, but I'm not happy with the version I'm reading. It's published by Norilana Books (the cover pictured), but it reads like an unfinished editing job. Quotation marks are missing. Paragraphs aren't broken up properly, which ruins the flow of the story. It makes things slightly confusing until I mentally readjust the paragraph break. I really want to reread it in a better format. Any suggestions as to good versions?

Saturday, December 29, 2012

Book Review: Tiger Lily by Jodi Lynn Anderson


I should start this review with two confessions:

  • I never read the original Peter Pan by J.M Barrie. But I have seen the stage play and of course I've seen Disney's version.
  • I have an aversion to spin-off books/fan fiction.
You probably know where this is going. 
I think fan fiction authors tread dangerous waters when they twist another author's story and characters to their own devices, especially such an iconic story as Peter Pan. They open themselves up to much more criticism than normal. But they've walked the gangplank, so to speak, and thus have to swim with the crocodiles.

Let's take a look at some of the basics of Tiger Lily
  • Neverland, in this incarnation, is an island that is magically hidden, and only a few find their way there over the ocean. But that seems to be the only magical thing about it. Everything about it, including the fairies, are discussed in Darwinian terms: the island and its inhabitants just evolved to be the way they are. That not bad, just a complete departure from the original story. (There's no flying to Neverland in this book.) 
  • Tinkerbell plays the mute, bug-eating, Tiger-Lily-fan-girl, non fairy-dust-toting narrator. She spends most of her time in Tiger Lily's village and has watched Tiger Lily grow up. Peter only meets her when he meets Tiger Lily, whom he's apparently meeting for the first time as a teenager. But despite Tinkerbell's muteness, she can apparently see into other people's minds.
  • Tinkerbell talks about the random cessation of growth associated with Neverland. For some reason the pirates are aging, maybe because they sailed there from England as adults? But the natives on the island stop aging at some random point in time. It doesn't appear to be consistent, and the idea is left hanging as an inexplicable element of the island.
  • The main characters, Peter and Tiger Lily are much older than the original, being about 15 or 16 years old, with all the sexual tension that entails. Which feels weird to read, when some of the same things are happening to them as happened in the original story. Peter comes across as  angst-ridden, emotional yo-yo: an innocent bad boy, which sometimes doesn't come across well, given his age in this story. Tiger Lily is the adopted daughter of the trans-gendered shaman of the tribe, taciturn, serious, doesn't show her feelings, and finds it hard to empathize with people, yet truly loves her adopted father. We never really learn what makes her tick. She remains somewhat a mystery throughout the book. Wendy is portrayed as the vapid, boyfriend-stealing wench. Smee is a sociopathic killer, obsessed with Tiger Lily. The whole tone of the book is darker, and the characters are flawed and mostly compelling, which I don't see as a problem, per say, but they just don't reconcile with the original characters. 
  • There is an additional element of magic that is never explained in the book, that exacts revenge on Tiger Lily's enemies. We never learn if it is Tiger Lily herself that causes their destruction, or someone else, or some island magic at work.
  • I would actually have really liked how Tiger Lily's story ended (it makes sense to me, as a married, middle-aged woman with reality, and real love, firmly under my belt) if it weren't for the fact that Pine Sap, the man she marries, her childhood best friend, is deserving of a woman who is emotionally present for him, especially after his abusive childhood. It seems sad to me that in marrying Tiger Lily, he marries a woman as equally emotionally distant as his own mother, although less abusive. It still smacks a little too much of an abuse cycle, although the author keeps insisting that he is very emotionally healthy. If Tiger Lily had shown signs of being different for her experiences, I'd feel better, but as far as the reader can make out, she's still the same old emotionally distant Tiger Lily, pining for Peter Pan.  I don't like Peter's ending.

On the positive side, Jodi Lynn Anderson is a good word weaver, if only the words weren't about iconic characters from an iconic story, most of whom have already been fully formed in peoples minds. If you haven't read Barrie's original, or seen the play, nor feel any loyalty to the original, you will probably like the book. My issues with the book stem entirely from the fact that it's fan fiction. My feeling is, don't mess with a classic. It's not yours to mess with. But I may be in the minority on that issue.


Published in 2012 by HarperCollins Children's Books
Review copy borrowed from the library.

What say you? Are you a fan of fan fiction or do you not want your classics messed with?

Tuesday, December 25, 2012

Christmas Favorites: A New Coat For Anna


A New Coat For Anna
Written by Harriet Ziefert
Illustrated by Anita Lobel

Based on a true story that takes place just after World War II, in an unnamed European town, A New Coat For Anna is the story of how young Anna's determined, enterprising mother, who doesn't have the money to buy Anna the coat she needs, uses the few fine posessions she has left to barter for the goods and services she needs to make Anna's new coat. She trades with the farmer for his sheeps' wool; she trades with the spinner to spin it to yarn; she trades with the weaver to weave the cloth; she trades with the tailor to sew the coat. The whole process takes a year, and Anna and her mother have to participate in the coat's creation too (carding the wool and dying the yarn using lingonberries.) After the coat is finished, just in time for Christmas of the next year, Anna and her mother invite all the people who helped make Anna's new coat possible to a Christmas celebration.

The wonderful, plentiful illustrations by Anita Lobel are perfect for the story, providing enough detail of each stage of the coat's genesis for modern children to understand and feel the work that went into it.

I deeply appreciate that this book gives children an insight into true hardship and inventiveness under trying conditions, without resorting to preachiness. My daughters and I love this story. It's a favorite reread at any time of the year, but especially at Christmas.



Published in 1986 by Random House Children's Books

Sunday, December 23, 2012

Christmas Favorites: The Story of Holly & Ivy

The Story of Holly & Ivy
Written by Rumer Godden
Illustrated by Barbara Cooney

Loneliness and wishing are the themes of this magical classic Christmas story, first published in 1957. Ivy is a lonely orphan wishing for a place to belong. Holly is a doll in Mr. Blossom's toy shop, dressed in Christmas red and green, wishing to find her little girl, fearful of being put into storage with the mean owl Abracadabra because she hasn't been sold this Christmas. Childless Mrs. Jones aches for something she almost doesn't allow herself to wish for. How these three wishes converge and are fulfilled during this wishing time of year make for a riveting story that never feels dated because it touches on themes that are universal to the human condition. This touching story is made more poignant by Barbara Cooney's dreamy, luminous illustrations, of which there are not enough, in my opinion.

I loved this story when I was a girl, and I'm so pleased my girls love it too. This is the first year Susanna sat through the whole reading of this long picture book.




Monday, November 12, 2012

Book Review: Sadako and the Thousand Paper Cranes by Eleanor Coerr; illustrated by Ronald Himler

Sadako and the Thousand Paper Cranes is a short book that packs an emotional wallop through it's simple narrative. It is the true story of Sadako Sasaki, who was only two years old when the atom bomb fell on her city of Hiroshima, Japan. Now it is nine years later, and she discovers that she has the "atom bomb disease" (leukemia).

The book doesn't focus on any political message, nor does it focus on the war. It is simply the story of a young girl dealing with her own sickness and death, as a result of an event she herself doesn't remember. Nevertheless, this is a tough book for kids and one that sparks discussions about a myriad of topics: war, war on civilians, atomic bombs, cancer, family support during sickness, whether children are trusted with information about their own illness, hope or lack of hope, myths and legends on which people pin their hopes, death, fear of death. And yes, one comes away with a very anti-war feeling of one's own.

I borrowed Sadako and the Thousand Paper Cranes from the library to read aloud as part of our world history study. Olivia took it off the stack and read it herself before I had the chance to read it aloud. She soon came back with lots of questions. That sparked Karina's curiosity in the book, so she took it off to read. Much, much discussion ensued on all the topics mentioned previously. (Our copy was the original hardcover, pictured to the right, which contains a brief prologue and epilogue. I understand that later versions also contain discussion points. I wish we'd had that version, but we sure managed tons of discussion that sprang naturally from reading the story, even without a guide.)

I suspect this is a story my girls will forever remember.

Karina's response to my query about her reaction to the book was simple, but she takes longer to process thoughts than Olivia. She said: I thought it was really sad, but really good.

Olivia said:
This is a really sad book, but really worth reading. Until I read Sadako and the Thousand Paper Cranes, I didn't even know America had dropped bombs on Japan during World War Two. It made me sad to think of so many people being killed or infected because of it. The story is good. I loved it. I loved that it was about a real girl. And the pictures helped me to understand some things about the story. I liked the legend of the thousand paper cranes, even though they didn't help Sadako. In the end they did help her since the sight of them moving gently on the breeze gave her comfort as she died. I kept hoping she'd get better, but I realized pretty soon that she just wasn't. I'd definitely recommend it. It's one I'd read again. I think this is a book teachers should read to their students. Warning: reading this book will make you cry, especially the end, so read it with a tissue handy. Don't be afraid of crying; you won't regret reading Sadako and the Thousand Paper Cranes.



Published in 1977 by G.P. Putnam's Sons
Review copy borrowed from the library.

Friday, November 9, 2012

Book Review: Dangerously Ever After by Daska Slater; illustrated by Valeria Docampo

If you're the mother of little girls, you're probably going to encounter princesses at some point in your reading repertoire. This can be delightful or painful, depending on how the author chooses to portray said princesses. The delightful ones get reread with enthusiasm, and the painful, simpering, irritating ones get quietly "lost" in whatever manner deemed necessary.
Never fear, Dangerously Ever After by Dashka Slater and Valeria Docampo will be in the enthusiastically reread category, with no pain involved.

Princess Amanita is not your average princess. She loves all things dangerous, and her garden would make Morticia Addams proud. And then...
"One day, as the princess was watering a patch of itching thistles, a prince from a neighboring kingdom rode up. His name was Florian and he was out looking for for a dragon to slay, or a knight to challenge--or at least someone his own age to talk to."
The prince's arrival sets off a chain of funny events that culminate in the character growth of the princess (and undoubtedly of the young prince, too.)

My girls and I chuckled our way through the appealing absurdity of this refreshingly non-girly princess story. It appealed to my younger princess-loving daughters, and even my older princess-loathing daughter. I can see this being a hit with boys, too, because the traditional princess aspect isn't present. (It will help that the word doesn't feature in the title, but the word "danger" does.) All kids can identify with danger-loving Princess Amanita in some aspect, because at its heart, Dangerously Ever After is the story of a little girl whose way of identifying herself is called into question when she encounters events outside her comfort zone and control, which leads to growth and balance. That sounds heavy, doesn't it? But really that "lesson" is just naturally absorbed into the story.

This is the first book I've read by Dashka Slater, and I'm delighted with the introduction. The story's pacing, language, and length work beautifully as a read-aloud, perfect for ages 4/5 and up. It's one of the few picture books we've read that appeals to all my girls with equal enthusiasm. The illustrations by Valeria Docampo are a delight. Beautiful, vibrant, and fun, they perfectly highlight and compliment the text. The artist's heavy use of blue keeps the fierceness of Amanita's world in check. My girls loved the scorpion tail inspired hair-do, the suit-of-armour dresses, the prince's steed (a bicycle), and the strangely appealing garden.

For what it's worth, my girls and I are giving Dangerously Ever After a hearty thumbs up.



Published in Semptember 2012 by Dial Books For Young Readers
Review copy generously supplied by publisher.

Nominated for the CYBILS 2012 by Charlotte of Charlotte's Library.

Monday, October 29, 2012

Book Review: The Eyes of the Amaryllis by Natalie Babbitt

I beg your indulgence as I set up this review a little, so you can understand the frame of mind I came to The Eyes of the Amaryllis with. My family moved to The Gambia the summer after I turned nine, and there for the first time I met the mystery and power of the sea. It was such a new experience that we glutted ourselves with beach-going several times a week. When my parents wouldn't take us, my older brother and I would cycle to the beach off of the Sunwing Hotel to hunt in tide pools and estuaries at low tide. I loved the ocean - the moods, the sounds, the smells; but I learned to fear it too.  A few months after we moved to The Gambia, our next door neighbor's son, a big, strapping, friendly lad of fourteen, drowned in the ocean. It was shocking and horrifying, the suddenness and manner of his death.

In July after I turned eleven I had my own near-drowning experience. I went swimming off the beach at the American Ambassador's residence during a Fourth of July community picnic, and got caught in the undertow. I got carried a long way out, and couldn't get back in because of the force of the undertow. There were some young Peace Corps Volunteers swimming nearby, but I didn't even have the energy to call to them for help. I faced the terrifying reality that I was probably going to die because there was no way I could muster the energy to try swimming again. I alternated treading water and floating on my back, contemplating death and thinking that I didn't want to die like my poor neighbor friend. I hated the thought of what it would do to my family. Fortunately for me, one of those Peace Corps volunteers could apparently tell I was in trouble, even though I hadn't spoken. "Getting tired?" he asked quietly as he swam up to me. I nodded my head and he put his hand under my armpit. "The undertow's bad today. I'm going to show you how to beat it. Let's swim this way." Swimming by my side, we swam parallel with the beach for a little way, and then he lead us in at an angle. That man saved my life. I was too tired to do more than whisper a thank you when we made the beach. He went off with a little wave and a "You'll be alright now", as I lay heaving on the sand, and I didn't see him again that day, even though I looked for him. I never even learned his name, but I'm alive today because he came along. (I didn't tell my parents of my near-death for years, out of fear that they'd ban me from ocean-swimming. In college I became a lifeguard, and then a life guard instructor and first aid and CPR instructor in an attempt to "pass it on.")

It was a year or so later, when I was twelve I think, that I first encountered The Eyes of the Amaryllis by Natalie Babbitt in the Banjul American Embassy School's library. Written in 1977, it was the first book I read by Natalie Babbitt. There were a couple of her other books on the shelf, but this one sounded the most intriguing, so I read it first. I was instantly captivated by the atmospheric, mysterious story that seemed to capture the hypnotic pull of the sea. It struck me powerfully at the time, I think because of my cumulative experiences with the ocean, and because I, like Jenny in the story, had grandmothers I didn't know very well.

The story takes place in 1880, when eleven year old Jenny (whose real name is Geneva) is being taken to stay with her paternal grandmother, the first Geneva, who has broken her foot and needs help until it mends. Jenny's Gran lives on a bluff in a bay on the Atlantic coast, in the same house she came to fifty years before as a bride.
"To be away from home--to stay with Gran and help her while her ankle mended--this seemed a very grownup thing to do, and Jenny had boasted about it to her friends. But in truth she was a little alarmed about that part, though her grandmother, whom she had seen before only for two weeks of the yearly Christmas season, had long been a figure of romance to her. Gran was not like other grandmothers, smelling of starch or mothballs, depending on the time of the year, and spending their time watering their plants. Gran stood straight and proud. Her face and arms were sunburned. And though she talked and listened, there always seemed to be something else on her mind, something far more absorbing than Christmas conversation.
But Jenny did not care for household chores, and was not at all sure that somewhere in her lay hidden the makings of a bedside nurse. So it wasn't that part of her adventure that excited her. No, the real enticement was the ocean. But this she could not admit. She was the only one of her friends who had never been to the shore. Preposterous, when it was only thirty miles from Springfield! But her father had never let her come, had always refused to discuss it."
Jenny quickly bonds with her unusual Gran, and learns that Gran has been waiting for years for a gift from the sea, a gift from her dead husband. (Thirty years before, Gran's sea captain husband drowned when his ship, the Amaryllis, sank just off the coast of home in a storm, as his wife and child watched from the bluff in helpless horror.) Ever since, Gran has searched the beaches every day at high tide, no matter the time or weather for some memento. (That is, in fact, how she broke her foot.) Now Gran needs Jenny to be her eyes and legs on the beach, and continue the search. But there is another searcher, a mysterious man named Seward, who could not let such a gift be taken from the sea.

I won't tell you anymore. It's the perfect book to read this time of year, if you want a little spookiness.

Twelve year old me loved this book, and because I loved it, I went on to read Tuck Everlasting, which I also loved. I was loath to re-read it as an adult, lest it lose the magic. I'm happy to report, however, that it holds up to adult reading very well, and I caught nuances of the relationship between Gran and her son (Jenny's father) that I didn't fully understand at the time of my first reading, and understand Gran's obsession a little better now, too.


Published in 1977 by Farrar, Straus and Girouux.