Christmas Favorites: A New Coat For Anna

A New Coat For Anna
Written by Harriet Ziefert
Illustrated by Anita Lobel

Based on a true story that takes place just after World War II, in an unnamed European town, A New Coat For Anna is the story of how young Anna's determined, enterprising mother, who doesn't have the money to buy Anna the coat she needs, uses the few fine posessions she has left to barter for the goods and services she needs to make Anna's new coat. She trades with the farmer for his sheeps' wool; she trades with the spinner to spin it to yarn; she trades with the weaver to weave the cloth; she trades with the tailor to sew the coat. The whole process takes a year, and Anna and her mother have to participate in the coat's creation too (carding the wool and dying the yarn using lingonberries.) After the coat is finished, just in time for Christmas of the next year, Anna and her mother invite all the people who helped make Anna's new coat possible to a Christmas celebration.

The wonderful, plentiful illustrations by Anita Lobel are perfect for the story, providing enough detail of each stage of the coat's genesis for modern children to understand and feel the work that went into it.

I deeply appreciate that this book gives children an insight into true hardship and inventiveness under trying conditions, without resorting to preachiness. My daughters and I love this story. It's a favorite reread at any time of the year, but especially at Christmas.



Published in 1986 by Random House Children's Books

2012 Newbery Honor Winner: Breaking Stalin's Nose by Eugene Yelchin

This book flew invisibly past my radar. I hadn't heard of it or even seen it until I read that it won the Newbery Honor. Obviously, I had to rectify that, so when my latest batch of books came from the library yesterday, full of this year's award winners, I wanted to read this one first.

Synopsis: Ten-year-old Sasha is a fervently loyal Stalinist, who is excited to become a part of the Young Pioneers (Stalin's youth organization) and extremely proud of his father, who works for the State Security (secret police). They live with 46 other people in a communal flat/apartment, happy -from Sasha's perspective- that they are the living epitome of Stalin's ideals. Then, in the middle of the night, the secret police come and roughly haul away his father. What follows is a quick succession of events that has Sasha questioning his loyalty and the validity of the system.

The action of this fairly quick and completely gripping story takes place over the course of only one evening and the following day. It's a book that contains important issues such as freedom (or the lack of it), paranoia, propaganda, idealism vs. reality, standing for right (or not).


Here are some thoughts I had as I read:

• I think Yelchin does a very admirable job of tackling his subject from a naive ten-year-old's perspective. It's a genius approach, reminiscent of Boyne's The Boy in the Striped Pajamas, where the limits of the young protagonist's understanding and maturity throws a spotlight on the horrors going on around them. What Yelchin seems to steer away from are Sasha's emotions. Deliberate devise or not, I think it's genius to downplay them, because again, it throws the spotlight onto the world in which he lives. The buildup of paranoia and hysteria that exists in the book -created by living in such a system- engulfs the reader in their own emotions. I think it would be completely overwhelming if we had to deal with both sets of emotions at once, especially for the targeted reading age group.
• In the beginning, Sasha is the perfect little Communist, just as he's been trained from baby-hood. Even as people are betraying his family, he doesn't feel a sense of betrayal, rather he admires their patriotism. There are also a few instances where Sasha has to choose to take a stand for right, and you can't help having empathy for his choices. (You will have to read the book to understand this in context.) I think it's a credit to Yelchin's writing ability that he can make us empathize with a boy with whom we have ostensibly very little in common.
• It's interesting to me how the author subtly shows the disconnect between child and adult. Here is Sasha's father, who has trained him to be a good little Communist from birth, and yet somehow expects him to know where the inconsistencies lie between the dogma and reality. It's a mistake we parents frequently make: assuming that our young children can see and understand those subtleties and inconsistencies.
• Yelchin, through young Sasha, gets to the heart of why this period of Russian history is known as The Great Terror: what happens to society as a whole and the individuals within it when every infraction is treated like it's the very worst possible crime? What happens when people are kept in such a state of terror and propaganda that they don't even realize they are the victims?
• The illustrations are dark, and have an exaggerated quality that perfectly accompanies the exaggerated paranoia. (There's an ironic one on pages 106-107 depicting the principal as Hitler.) The illustrations are reminiscent of Communist propaganda posters from the era. The other interesting thing to note is that we only see Sasha from the back or side -always turned away from the viewer- throughout the book, until we finally see his face for the first time on p. 137, just before the end.
• This book would make an excellent accompaniment to history lessons about that era for children age 10 and up. I'd have high schoolers read it as part of a Russian history unit. I think it would also make excellent book club reading.

Book Review: A Tree For Peter by Kate Seredy

A Tree for Peter
Written and illustrated by Kate Seredy
Original Copyright 1941
Published in 2004 by Purple House Press

Peter is little, lame, fatherless, poor and "afraid of many things." His mother has to work every day in the city and he spends his week alone and frightened, living for Sunday, her day off. They live in Shantytown, an area of old abandoned houses that the poorest of the poor are squatting in as they try to eke out a meager living: it is a people and a place without hope. Until one day, small Peter meets Peter King, an old tramp who befriends him and teaches him to stop being fearful of life. As his outlook changes, he starts making friends, first with a mangy dog, and then with the Irish cop whose beat includes Shantytown. As he changes, he starts changing the world around him, little by little. From Peter King's kindness, a chain of events builds and transforms Small Peter and all the people of Shantytown.

  I loved this story. Loved it. I felt so helpless and depressed as I read about Peter being left alone day after day in those squalid conditions by a mother who clearly hated it as much as he did, but didn't have any other option. And I rejoiced when he found a kind heart to teach him to live beyond those fears.
  People of today might read the story and see only the unrealistic aspects compared to our own day: children left alone day after day without state interference; a friendship with a vagrant who turns out to be kind rather than deranged. But for me as a modern reader, I think this story still has bearing, and I appreciate the hope that drives the story, the inherent innocence of it, and the author's assumption that people are basically good and -more importantly- that one person can make a difference in the lives of others.
  Kate Seredy's beautiful, detailed, sepia illustrations accompany her amazing story, and set the tone.
  One of our family's very favorite stories, this makes a great read-aloud anytime, but especially at Christmas. (If you can get through it without weeping.)